BBC Four’s suite of programmes on Prog Rock confirmed the view that even Prog has some music for grown-ups.
The genre both attracts and repels this listener. On the positive side:
* Prog encompassed some gifted musicians, notably Robert Fripp, Keith Emerson and Rick Wakeman.
* its leading lights were clever innovators; they were creatively courageous in ditching rock’s blues roots; some of their mixing of rock with classical and jazz fusion worked well.
But much Prog is off-putting, mainly because:
* where the music has lyrics, they’re rarely worth listening to.
* even the best musicians veer towards over-indulgence.
* apart from the major players, the bands are so samey that they undermine the genre’s claim to be innovative.
That said, I enjoyed (re)discovering albums like In The Court Of The Crimson King – King Crimson, and The Ultimate Collection - Emerson, Lake & Palmer. I wouldn’t listen to them frequently, but they are engaging, musically interesting and challenge my prejudices.
But I didn’t linger long over The Ultimate Yes or anything by Caravan or Genesis.
Gerry Smith