I’m usually very wary of musicians who suddenly appear on the radar, as if from nowhere. I suspect that some corporate exec or other has decided the s/he is to be the next big thing and has invested a lot of money to ensure that it happens.
The problem with over-promoted musos is that they can’t possibly live up to the advanced billing.
Having suddenly become very aware of her, I automatically put American chanteuse Melody Gardot in this category.
But then, watching Channel 4’s Live From Abbey Road for the first time on Friday, to catch the great Herbie Hancock, I stumbled upon Melody in a live performance from Herbie’s recent album, River: The Joni Letters.
My, my – what a distinctive voice. Gardot’s beautiful tone and her innate swing enlivened Mitchell’s Edith and The Kingpin, an already great song.
I’ll be watching closely for more recordings and performances from Melody Gardot, one of my most striking recent music for grown-ups discoveries.